Happy international women’s day

Happy international women’s day

This writing is inspired by and dedicated to all of the Too Much women I have worked with, who, very bravely and against all odds, rise.

There she is. . . the “too much” woman. The one who loves too hard, feels too deeply, asks too often, and desires too much.

There she is taking up too much space, with her laughter, her curves, her honesty, her sexuality. Her presence is as tall as a tree, as wide as a mountain. Her energy occupies every crevice of the room. Too much space she takes.

There she is causing a ruckus with her persistent wanting, too much wanting.

She desires a lot, wants everything—too much happiness, too much alone time, too much pleasure. She’ll go through brimstone, murky river, and hellfire to get it. She’ll risk all to quell the longings of her heart and body. This makes her dangerous.

She is dangerous.

And there she goes, that “too much” woman, making people think too much, feel too much, and swoon too much. She with her authentic prose and a self-assuredness in the way she carries herself. She with her belly laughs and her insatiable appetite and her proneness to fiery passion. All eyes are on her, thinking she’s hot shit.

Oh, that “too much” woman. . . too loud, too vibrant, too honest, too emotional, too smart, too intense, too pretty, too difficult, too sensitive, too wild, too intimidating, too successful, too fat, too strong, too political, too joyous, too needy—too much.

She should simmer down a bit, and be taken down a couple of notches. Someone should put her back in a more respectable place.

Someone should tell her.

Here I am. . . a Too Much Woman, with my too-tender heart and my too-much emotions.

A hedonist, feminist, pleasure seeker, and empath. I want a lot—justice, sincerity, spaciousness, ease, intimacy, actualization, respect, to be seen, to be understood, your undivided attention, and all of your promises to be kept.

I’ve been called high maintenance because I want what I want and intimidating because of the space I occupy. I’ve been called selfish because I am self-loving. I’ve been called a witch because I know how to heal myself.

And still. . . I rise. Still, I want and feel and ask and risk and take up space.

I must.

Us Too Many Women have been facing extermination for centuries—we are so afraid of her, terrified of her big presence, of the way she commands respect and wields the truth of her feelings. We’ve been trying to stifle the Too Much Woman for aeons—in our sisters, in our wives, in our daughters. And even now, even today, we shame the Too Much Woman for her bigness, for her wanting, for her passionate nature.

And still. . . she thrives.

In my own world and before my very eyes, I am witnessing the reclamation and rising up of the Too Much Woman. That Too Much Woman is also known to some as Wild Woman or the Divine Feminine. In any case, she is me, she is you, and she is loving that she’s finally, finally getting some airtime.

If you’ve ever been called “too much,” or “overly emotional,” or “bitchy,” or “stuck up,” you are likely a Too Much Woman.

And if you are. . . I implore you to embrace all that you are—all of your depth, all of your vastness; to not hold yourself in, and to never abandon yourself, your bigness, your radiance.

Forget everything you’ve heard—your too much-ness is a gift; oh yes, one that can heal, incite, liberate, and cut straight to the heart of things.

Do not be afraid of this gift, and let no one shy you away from it. Your too muchness is magic, is medicine. It can change the world.

So please, Too Much Woman: Ask. Seek. Desire. Expand. Move. Feel. Be.

Make your waves, fan your flames, and give us chills.

Please, rise.

We need you.

Article By:
Ev'Yan Whitney

How to Draw Fashion Figures – Faces

Fashion drawing

Fashion drawing unlike any other ‘realistic fine art genre’ is quite achievable as it does not demand to be very detail oriented. As long as you get your proportions right (which I will talk about in another blog soon) you can pretty much qualify as a fashion illustrator. 

Challenging Part of a Figure Drawing.

Firstly one needs to understand the basic idea behind making fashion drawings. Primarily fashion drawings are done to depict your design ideas on paper so that before you actually make an effort to sew them you can have a fair enough idea how they are going to look. 

Hence the emphasis is more on the Garments fall, draping, the fabric used and the details rather than the details of the fashion figure itself. It’s not meant to be very realistic in terms of the body details but as far as garment goes you can be as realistic as you want to be. I have also seen illustrations that have real pieces of fabric.

One of the most challenging part of a figure drawing however is the face. You can still get away with body not being perfect or looking a bit disproportionate but faces have expressions, they need to look balanced and human (and not aliens!). 
Having said that faces too need not be very detailed, for example you can get away with not drawing eyes or facial features all together but do get the positions and poses of the face right. It should be in sync with the body pose. You cannot have head looking backward when body is facing front (unless you are working on Gothic collection!) 

In order to achieve accurate and appropriate position of the head and face the best technique that I followed when and I initially started drawing fashion figures was by keeping a medium size ball with lines drawn as half and quarter circle. Though human face isn’t perfectly round, it’s more like an oval shape but that elongation could be added later on. 

Once you master making these round shapes you could easily fill in the lower jaw part. 


Here are some of the potential shapes that you can make. Try to figure out as many positions by turning the ball. 

Once you are confident making these round circles with the lines starts adding the lower part of the face, which would be slightly longer, turning this round shape into an oval one. Try to keep eye level line, nose line, lip line and chine line parallel to each other.  

Let’s try few poses – 

Once you are happy with the shapes, one of the best way to practice them and get a hang of them is by highlighting them with a black  marker pen and tracing these figures as many times as possible. Very soon you will be drawing them without any difficulty. 

Like any other art form these too require a lot of patience and practice so do keep a note pad handy and soon you will get a hang of it. 

All the best !

Kalpana Singh


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